| The color wheel: Rooted in history, colorism still causes prejudice based on skin tone |
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| By Kristen Hare, Beacon staff |
| Posted 6:00 pm Thu., 1.28.10 |
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Posted 1:20 p.m. Fri., 01.29.10 - Growing up in Selma, Ala., Pamela Jackson used to sing a song.
"If you're yellow, you mellow. If you're brown, hang around. If you're black, step back. If you're white, you're all right." She knew what it meant, she always did. But understanding colorism, or the preference or prejudice showed to people of color depending on the lightness or darkness of their skin, is one thing. Talking about it is another.
Her friend calls Jackson back, and says she has something to say, too. When reached, that friend doesn't want her name used because of her job, but she thinks colorism is a non-subject, a small piece in a bigger problem -- racism. She thinks the historical roots of colorism are ignored, and that hearing about it within the black community can cause white people to abdicate their own responsibilities. Jackson disagrees, at least about the non-subject part. "I don't think that it doesn't exist. We know it exists," she says. "We are inhibited and afraid to talk about it." HOUSE OR FIELD A 2005 working paper by the National Bureau of Economic Research examined both the history of colorism and how it affected the household wealth of 15,000 households during the 1860 census. In the urban South, they found major differences in wealth among white, bi-racial and black households. "For many of African descent, black is not black -- both in terms of how they view themselves and how others view them. There are meaningful subtleties of shade, differences that have socially and politically meaningful distinctions today -- just as they have in the past." The paper, "Colorism and African American Wealth," also notes that while we tend to define people as either black or white, that dichotomy ignores the children produced from white slave owners and their black slaves. To understand the impact of lighter skin, the research separates people into black, white and bi-racial, or mulatto, as they put it. During slavery, the report says, people of color with lighter skin often got preferential treatment from slave owners, working in the home instead of the fields.
And often, NBER's paper reports, slave owners included their house slaves in their wills. People with lighter skin had better access to education, and in the antebellum South, better jobs. This persisted through the Civil War, but the paper notes that Jim Crow laws and the one-drop rule politically and socially brought bi-racial and black people together. (The so-called "one-drop rule" labeled an individual black who had even "one drop of black blood.") Still, the preference shown to people with lighter skin continued and studies on color stratification were done during the 1930s and 1940s, which found that "light skin tones and perceptible traces of non-African heritage were associated with material advantages for African Americans." Finally, they report on an analysis done in 2000, which shows that light-complected men are more than twice as likely to find "high-prestige employment" than dark-complected men. FROM THERE TO HERE Jackson's grandmother and her grandmother's sisters were very fair. They could pass as white, she says. Her grandmother married a dark-complected black man and was ostracized from her family and told she wouldn't prosper. Jackson, a nurse and instructor in gerontology at Washington University's School of Medicine, thinks that her family has grown out of that way of thinking, but doesn't think it's completely out of our culture yet. "It still exists," she says. "It's just that people don't address it as much."
"I always have seen the battle between light skin and dark skin," says Deibel, who is biracial, white and black. Deibel has long, curly hair, and has always been told by hair dressers that she has "good" hair, which frustrates her. In her paper, Deibel makes note of black social organizations like Jack and Jill of America, and black Greek organizations on college campuses that preferred light-complected black members and used the brown paper bag test, refusing admittance if someone was darker than the bag. "These organizations provided benefits such as networking and leadership skills," Deibel writes. "Light-skinned blacks continued to uphold these standards and elite positions within the organizations, therefore faring much better than their dark-skinned counterparts." Now, she even sees colorism on Twitter, where she often finds trending topics of light skin vs. dark skin. She sees it in the media, where white beauty standards are the norm, and light-skinned black actresses seem to dominate. But that's not just true in America.
In St. Louis, race affects politics, the economy, personal relationships, education – virtually every important aspect of community life. Yet it’s difficult to talk honestly and productively about race. In Race, Frankly, the Beacon invites you to look at race with fresh eyes. It’s a new day nationally, and in St. Louis, it’s time. Parameswaran, the journalism professor from Indiana University, spent seven years studying colorism in India along with a partner. In her study, "Melanin on the Margins," she explored the world of advertising in India, where skin-lightening products make up between 40 and 50 percent of the market. And she found the push for lighter skin went far beyond ads. Lighter-skinned actresses appear in Bollywood movies, and matrimonial ads for arranged marriages express bold preferences for lighter skinned women. "When you put everything together, then it's not just advertising," she says, "but it becomes a strong message in the culture." Parameswaran found colorism in Malaysia, Thailand, Japan, China and the U.S. And she has had her own experiences with it, too. Parameswaran grew up in India with both subtle and strong messages about her skin tone. She had a friend also named Radhika, and when they were together, the friend was light Radhika and Parameswaran was dark Radhika. Luckily for her, she says, she had educated parents who told her that value based on skin tone was nonsense. Based on her own life and her research, Parameswaran thinks it's important to understand colorism from a global perspective. Colorism within one's own group can easily translate to racism and discrimination when in the larger society, especially when those people are foreigners, she says. If East Indians are socialized to see light skin as more desirable, then they'll translate those preferences to other races, too. "Colorism is very portable," she says. "And it comes with people and then it affects the relations." THE REAL POWER With all the weight given to skin tone, Anna Shabsin thinks colorism gives its real power to the majority -- white people. inform our coverage
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Brent Jones | St. Louis Beacon
This Saturday was the debut of a new show by The Improv Shop that will bring out of town improv teams to St. Louis to play for — and with — a local audience. The Road Show brought teams "Everybody Grok" and "Felt" from Chicago.
We talked to Eric Christensen, producer of the Road Show and member of local improv team "Ted Dangerous"; Katie Nunn, member of "Ted Dangerous" and improv coach; and Melanie Penn and Ranjan Khan, members of local teams "Melanj" and "Magic Ratio"; about the St. Louis improv scene and why it's important to welcome teams from other cities to perform here.
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M.W. Guzy fears his daughters' affection for trash TV might have been genetically inherited, as he finds himself drawn to the anybody-but-Mitt show, playing on a loop on cable "news' channels.
Miguel Dulick recounts a trans-Honduras tour that, again, reminded him of the power and joy of keeping siblings and parents connected.
Ken Schechtman says that publicly traded business will not -- perhaps cannot -- put doing the right thing ahead of legally maximizing profits.
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Editor Margaret Wolf Freivogel says the problems that froze the Beacon's site in the past are being fixed: Thank you for your patience.
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The Beacon's nationally recognized Barroom Conversations program on race, class and other issues that divide will be held on Monday, Feb. 20, 2012, at 7:30 PM discussing Education and Class. RSVP on Facebook and invite your friends! We'll pick up where we left off at Six Row Brewing Co., 3690 Forest Park Avenue at Spring. We look forward to seeing you again!

The St. Louis Beacon rang in 2012 with a concert performance of Gilbert & Sullivan's beloved operetta, "The Mikado," at the Sheldon Concert Hall, and the Higher Education Channel was on hand to record it. Here is a link to the complete perfomance, which we hope you'll enjoy.
The musical direction of "The Mikado" was by Amy Kaiser; Craig Terry was conductor-accompanist. All proceeds from ticket sales benefitted the Beacon.