| Review: Pranschke's witty Band-Aids |
|
|
| By Ivy Cooper, Beacon art critic |
| Posted 5:28 am Thu., 1.28.10 |
|
In an exhibit that is classic Peter Pranschke, the artist shows the results of two years of frustrating work on a commission to create a double portrait.
When: Through Feb. 27 Where: PSTL Gallery, 3842 Washington Blvd. Information: 314-531-4304, www.paceframing.com/PSTL_Window_Gallery Using Band-Aids. The works he managed to produce toward this end are witty, sweet, and would do any Pranschke fan proud. Some have Band-Aids stuck on molded plastic items, some involve paper cut-outs and Band-Aid figures, and some are just Band-Aids, stuck to a surface and doing nothing more than evoking those childhood memories of scrapes and scabs and the chance to wear the adolescent badge of honor that signals a wound honestly earned. The patrons of the commission have made their choice; the rest of the works are for general sale, and they would make good acquisitions. For my money, I'd like to take home the pen-and-ink narrative describing the project that graces the wall leading into the gallery. It recounts in cartoon episodes the tortuous process of satisfying the commission, the day-in, day-out frustrations of being a good but insecure artist in demand, of putting your soul up for hire and feeling as if you aren't up to the task. Note: Image is the property of the artist. Ivy Cooper, a professor of art at Southern Illinois University Edwardsville, is the Beacon's art critic. To reach her, contact Beacon features and commentary editor Donna Korando. |
Brent Jones | St. Louis Beacon
This Saturday was the debut of a new show by The Improv Shop that will bring out of town improv teams to St. Louis to play for — and with — a local audience. The Road Show brought teams "Everybody Grok" and "Felt" from Chicago.
We talked to Eric Christensen, producer of the Road Show and member of local improv team "Ted Dangerous"; Katie Nunn, member of "Ted Dangerous" and improv coach; and Melanie Penn and Ranjan Khan, members of local teams "Melanj" and "Magic Ratio"; about the St. Louis improv scene and why it's important to welcome teams from other cities to perform here.
Who owns this field of dreams?
Baseball may be the national pastime, the field of dreams that "reminds us of all that once was good," but it also reflects -- and sometimes anticipates -- the country's social and economic changes. This story is part of a larger look at class in the region, our series Class: The Great Divide
M.W. Guzy fears his daughters' affection for trash TV might have been genetically inherited, as he finds himself drawn to the anybody-but-Mitt show, playing on a loop on cable "news' channels.
Miguel Dulick recounts a trans-Honduras tour that, again, reminded him of the power and joy of keeping siblings and parents connected.
Ken Schechtman says that publicly traded business will not -- perhaps cannot -- put doing the right thing ahead of legally maximizing profits.
In this week's Beacon Roundtable, Dick Weiss, Jason Rosenbaum, Jo Mannies, Robert Joiner and Dale Singer sit down to talk about the Missouri primary and redistricting, the controversy around…
General manager Nicole Hollway is back to the Beacon blog and she's trying to piece together what social media is and means to people.
Ben Finegold checks out the women's play at the Tradewise Gilbraltar Chess Congress, particularly the chess played by 17-year-old Hou Yifan of China.
@
Register to receive our daily email of new content. If you're already registered, email us at [email protected] with the subject line "subscribe".
The Beacon's nationally recognized Barroom Conversations program on race, class and other issues that divide will be held on Monday, Feb. 13, 2012, at 7:30 PM discussing Education and Class. RSVP on Facebook and invite your friends! We'll pick up where we left off at Six Row Brewing Co., 3690 Forest Park Avenue at Spring. We look forward to seeing you again!