| 'The Damned United' is darn good |
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| By Robert Hunt |
| Posted 9:18 am Mon., 11.30.09 |
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The Damned United Directed by Tom Hooper
You're forgiven if you're already starting to let your mind wander. Sports movies tend to be tiresome and predictable, generally summed up as one of two possibilities: 1) the team wins the Big Game - Yaaaayy!! - because it has Spirit and Character, or 2) (admittedly less frequently) the team loses the Big Game - Awwww! - but it doesn't really matter because it has Spirit and Character. "The Damned United" isn't that kind of sports movie. And even if you have no interest in who won the European Cup last year let alone 35 years ago, the film transcends the banality of its genre by way of a truly extraordinary performance by Michael Sheen as Clough. Once again playing a historical figure and working from a script by Peter Morgan, Sheen takes the kind of driven, self-confident protagonist of "The Queen" and "Frost/Nixon" (both written by Morgan) and turns it into something both fierce and foolish. His Clough goes beyond a simple love of his game; he's half salesman, half mad man, so gripped by a sense of his own importance that he simple doesn't understand why the rest of the world doesn't simply step aside for him. If this were fiction, that swagger might be enough to lead a team to the top of the rankings - it worked for "The Bad News Bears," didn't it? - but in the real world Clough's arrogance, compounded by his complete failure at Leeds, turned him into a real oddity, a man with the cockiness of Ali grafted onto the winning record of the pre-'69 New York Mets. There are other good performances: Colm Meaney as a rival coach, Timothy Spall as his long-suffering assistant manager, and especially Jim Broadbent as the team owner who rubs against Clough and savors his revenge, but it's Sheen's show all the way. It's not a flamboyant blood-sweat-and-tears Oscar-hungry part, but it gets as close to the awkward and embarrassing reality of a complex, difficult human being as any film this year. Trailer: www.youtube.com/watch?v=G_QiKT-6hlo |
Brent Jones | St. Louis Beacon
This Saturday was the debut of a new show by The Improv Shop that will bring out of town improv teams to St. Louis to play for — and with — a local audience. The Road Show brought teams "Everybody Grok" and "Felt" from Chicago.
We talked to Eric Christensen, producer of the Road Show and member of local improv team "Ted Dangerous"; Katie Nunn, member of "Ted Dangerous" and improv coach; and Melanie Penn and Ranjan Khan, members of local teams "Melanj" and "Magic Ratio"; about the St. Louis improv scene and why it's important to welcome teams from other cities to perform here.
Cinema St. Louis' The Lens is a multi-contributor blog aimed primarily - but by no means exclusively - at local cinephiles. The Lens will have a specifically St. Louis perspective when relevant - and will preview Cinema St. Louis events - but because film encompasses the world, the blog will offer material on every aspect of movie culture, with no ties to a particular place. Lens contributors - critics, academics, journalists, novelists, poets, essayists and filmmakers - will write, at any length and in any form, about all film-related topics, allowing for a wide array of approaches: simple reviews, stray thoughts, essays, reported articles, cartoons, photos, even audio clips and videos.
For a more complete introduction to The Lens, read the inaugural post by Cliff Froehlich.
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The Beacon's nationally recognized Barroom Conversations program on race, class and other issues that divide will be held on Monday, Feb. 13, 2012, at 7:30 PM discussing Education and Class. RSVP on Facebook and invite your friends! We'll pick up where we left off at Six Row Brewing Co., 3690 Forest Park Avenue at Spring. We look forward to seeing you again!
Comments
I'm curious - Were you familiar with the story before you saw the film? As I said in my post, I had never heard of Clough, so I'm wondering if the film has any particular resonance for serious soccer fans. I felt that the final section of the film was pretty convincing in establishing Clough's importance to the game, even if only on the level of a larger-than-life personality. But I'd like to find out what hard-core fans and those who follow the game's history make of it.
BTW, I first heard of this movie early this year, reading a good review of it in the British soccer magazine FourFourTwo.
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