| Review: SLAM show puts sculptors in another light |
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| By Ivy Cooper, Special to the Beacon |
| Posted 8:32 pm Tue., 8.17.10 |
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For "Form in Translation: Sculptors Making Prints and Drawings," assistant curator Eric Lutz of the St. Louis Art Museum (along with research assistant Ann-Maree Walker) has again brought together works that show the strengths of the museum's permanent collection while giving insight into a vital mode of artmaking that deserves more exposure. More information
Where: St. Louis Art Museum, 1 Fine Arts Drive, Forest Park Information: 314-721-0072, www.slam.org (Image: "Etching One" 1967; etching and aquatint; 17 11/16 x 11 13/16 in.; by Lee Bontecou, American, born 1931; © Lee Bontecou / Courtesy FreedmanArt, New York The works on view are prints and drawings by sculptors, but they aren't preparatory sketches for sculptural works. Instead, they feature the novel approaches to two-dimensional art employed by artists who primarily work in three dimensions. Works on paper by Eva Hesse and Martin Puryear reveal close formal ties to the artists' sculptures, while John Chamberlain momentarily shifts his focus from crushed car sculptures to make a screen print on aluminum. Tara Donovan's sculptures typically employ multiples and everyday materials, and her 2005 "Untitled (Bubble Drawing)" on view here was made by popping inky bubbles on paper. "Written," a 1999 embossed paper work by Ann Hamilton, is a poetic piece generated from strokes of writing. It makes an interesting companion to "Stylus," the artist's current installation at the Pulitzer Foundation for the Arts. Ivy Cooper, a professor at Southern Illinois University Edwardsville, is the Beacon art critic. To reach her, contact Beacon features and commentary editor Donna Korando. |
Brent Jones | St. Louis Beacon
This Saturday was the debut of a new show by The Improv Shop that will bring out of town improv teams to St. Louis to play for — and with — a local audience. The Road Show brought teams "Everybody Grok" and "Felt" from Chicago.
We talked to Eric Christensen, producer of the Road Show and member of local improv team "Ted Dangerous"; Katie Nunn, member of "Ted Dangerous" and improv coach; and Melanie Penn and Ranjan Khan, members of local teams "Melanj" and "Magic Ratio"; about the St. Louis improv scene and why it's important to welcome teams from other cities to perform here.
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M.W. Guzy fears his daughters' affection for trash TV might have been genetically inherited, as he finds himself drawn to the anybody-but-Mitt show, playing on a loop on cable "news' channels.
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Ken Schechtman says that publicly traded business will not -- perhaps cannot -- put doing the right thing ahead of legally maximizing profits.
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General manager Nicole Hollway is back to the Beacon blog and she's trying to piece together what social media is and means to people.
Ben Finegold checks out the women's play at the Tradewise Gilbraltar Chess Congress, particularly the chess played by 17-year-old Hou Yifan of China.
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The Beacon's nationally recognized Barroom Conversations program on race, class and other issues that divide will be held on Monday, Feb. 13, 2012, at 7:30 PM discussing Education and Class. RSVP on Facebook and invite your friends! We'll pick up where we left off at Six Row Brewing Co., 3690 Forest Park Avenue at Spring. We look forward to seeing you again!