| Dennis Hopper: A big man |
|
|
| By Larry Busk |
| Posted 11:18 am Fri., 6.4.10 |
|
Although he wasn't as prolific, as respected or as memorable as many of his contemporaries (Pacino, De Niro, etc.), cinema lost a truly unique talent on May 29 when Dennis Hopper passed away at the age of 74. Here are five of his most distinctive and notable roles:
Hopper is hilarious and endearing as a free-spirited drug dealer motorcycling across the United States with Peter Fonda's Captain America. Hopper also directed the film -- a watershed of American cinema that played no small role in ushering in the creative freedom that directors enjoyed in the 1970s. 4.) Spy Richard Tremayne in "The Osterman Weekend" (1983) The movie isn't the best you'll ever see, but Hopper delivers a convincing and understated performance as a crafty Soviet spy. He is far from the focus of the film (he admitted that he only took the role to work with director Sam Peckinpah), but his performance is the standout in a cast that includes John Hurt, Rutger Hauer and Craig T. Nelson.
Hopper gives a memorable performance as sidekick to Gene Hackman's Coach Norman Dale in this high-school basketball saga. It snagged him his only Academy Award nomination for acting (best supporting actor) -- he was nominated once before for best original screenplay for "Easy Rider." 2.) "Photojournalist" in "Apocalypse Now" (1979) A genuinely unsettling and creepy performance as a deranged "war correspondent" in Vietnam who worships a rogue officer played by Marlon Brando. Of all the cryptic and disturbing dialogue in this classic film, nothing is more memorable than Hopper stuttering through "He's a big man, man. I'm a little man."
In my opinion, one of the best and most frightening performances in cinema history. Hopper plays a ruthless, disturbed criminal who travels with a peculiar breathing apparatus (presumably filled with some kind of narcotic). The film's protagonist, Jeffrey (Kyle MacLachlan), runs afoul of Booth when he stumbles on a sinister plot of kidnapping, extortion and rape that Booth is orchestrating. Much of the film concerns Booth's malevolent tormenting of Jeffrey and the extorted woman (Isabella Rossellini) he is trying to help. Hopper breathes terrifying life into the brutal and eccentric character; he is intense and nuanced throughout, whether he is viciously beating the film's other characters or curiously entranced when a fellow drug dealer (Dean Stockwell) serenades him with Roy Orbison's "In Dreams." The latter scene, with Hopper's face contorting as he gently sings along with the cryptic lyrics, ranks among the most memorable and disturbing in cinema. His career was sporadic and uneven, and his performances were nowhere near as consistent as some others' (Nicholson, Hoffman), but during a good year Dennis Hopper was an engaging and impressive actor. He's a big man. |
Brent Jones | St. Louis Beacon
This Saturday was the debut of a new show by The Improv Shop that will bring out of town improv teams to St. Louis to play for — and with — a local audience. The Road Show brought teams "Everybody Grok" and "Felt" from Chicago.
We talked to Eric Christensen, producer of the Road Show and member of local improv team "Ted Dangerous"; Katie Nunn, member of "Ted Dangerous" and improv coach; and Melanie Penn and Ranjan Khan, members of local teams "Melanj" and "Magic Ratio"; about the St. Louis improv scene and why it's important to welcome teams from other cities to perform here.
Cinema St. Louis' The Lens is a multi-contributor blog aimed primarily - but by no means exclusively - at local cinephiles. The Lens will have a specifically St. Louis perspective when relevant - and will preview Cinema St. Louis events - but because film encompasses the world, the blog will offer material on every aspect of movie culture, with no ties to a particular place. Lens contributors - critics, academics, journalists, novelists, poets, essayists and filmmakers - will write, at any length and in any form, about all film-related topics, allowing for a wide array of approaches: simple reviews, stray thoughts, essays, reported articles, cartoons, photos, even audio clips and videos.
For a more complete introduction to The Lens, read the inaugural post by Cliff Froehlich.
St. Louis and Missouri
Missouri Motion Media Association
Webster
University Film Series
Critics, Blogs, and Publications
General Resources
Animation
Documentary
All These Wonderful Things (AJ Schnack)
Silent Cinema
@
Register to receive our daily email of new content. If you're already registered, email us at [email protected] with the subject line "subscribe".
The Beacon's nationally recognized Barroom Conversations program on race, class and other issues that divide will be held on Monday, Feb. 13, 2012, at 7:30 PM discussing Education and Class. RSVP on Facebook and invite your friends! We'll pick up where we left off at Six Row Brewing Co., 3690 Forest Park Avenue at Spring. We look forward to seeing you again!
Comments
RSS feed for comments to this post.