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Review: New Media at SLAM has retro feel Print E-mail
By Ivy Cooper, Beacon Art Critic   
Posted 4:45 am Mon., 3.1.10

 

swanson300dark_room.jpg

(Credit for this and front-page image) Marc Swanson, American, born 1969; Neil Gust, American, born 1968; stills from Dark Room, 2009; digital video projection with sound; duration: 2 min., 2 sec.; Courtesy Richard Gray Gallery, Chicago/New York 2010.1; © Mark Swanson and Neil Gust

The current feature in the New Media Series at the St. Louis Art Museum is “Marc Swanson and Neil Gust: Dark Room,” a 2009 digital video projection. It exhibits a distinctly retro feel, almost as if it’s referencing the early days of experimental video. 

Over a soundtrack of pulsating rhythms, photographic and graphic images of a male figure merge and morph with abstract patterns in a dazzling symphony of effects. The connections among micro- and macro-levels of organic structure recall Kubrik’s “2001: A Space Odyssey,” as well as Charles and Ray Eames’s seminal “Powers of Ten” of 1977.

This is the third collaboration between the Brooklyn-based artists, who pay homage to these and other sources while managing to produce a vibrant, distinctive visual commentary on the theme of technology and humanity.

When: Through April 4

Where: St. Louis Art Museum, One Fine Arts Drive

Information: 314-721-0072, www.slam.org

Contact Beacon features and commentary editor Donna Korando.

 

 

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